Suzanne Edison, MA, MFA

Poet • Educator

  • Suzanne Edison, MA, MFA
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November 2, 2015 By Suzanne

breathing

A poem from my chapbook The Moth Eaten World. Written in 2008, this poem seemed appropriate today after writing about Luck and Fortune. I realize how far I’ve come from this painful place, but I also recognize that writing this allowed me to keep moving spiritually to a more true place for myself. Please excuse the formatting, there shouldn’t be spaces between the couplet lines.

breathing

                                    after Robert Hass

 

I left God in her Temple when you got sick.

 

Foolish to utter that name, like lassoing clouds

wandering an indigo arc.

 

I praise instead sunflowers’ beneficent heads

their Fibonacci faces divining light, sing hymns

 

of beans, corn and all dirt shrouded

tubers begging us bend

 

as we sow, witness the parlay of earth-

worms, their castings, our gold.

 

I rant prayers to righteous communities of bees,

their fierce loyalty spinning alchemies day and night.

 

On the wild shore, where the sea breaks its back,

between foam and spray I walk splintered

 

like an armless starfish, waiting: for the turn

of tide, a waxing breath, my place among

 

the minyan of slack-jawed facing slack water.

Filed Under: poetry

November 2, 2015 By Suzanne

What is Luck, What is Fortune?

51kg0CmHBpL._SY355_I am not writing this to sound ungrateful, humble or mean, but I have to challenge the good people and friends, (family even) who, for more than 10 years now, have commented that our adopted daughter, who lives with, and has suffered from Juvenile Myositis (JM), a rare autoimmune disease, is fortunate to be with us.

Why do I question this? From one perspective I am so glad that we are able to provide the healthcare she has needed. But from another perspective, this is not something she, or we, chose to have happen. Yes, we chose to adopt a child and we feel fortunate to be blessed with this child, (who was healthy for several years), but we didn’t get to “choose” her, she was “next in line.” Does that sound crass? It simply is the way it is. She didn’t choose us either, we were next in line.

After adoption we became her parents, and like any parents, we did whatever we could for our child’s health and well being. If there is any “fortune” involved in her coming to us it is these facts of chance. A) We live in the United States where there is the possibility of decent healthcare vs. Guatemala, where she came from. B) We are highly educated people and are able to negotiate the healthcare and insurance mazes. C) We speak English. D) We have enough income, so that when our child got sick and it necessitated one of us quitting our jobs, we were able to make ends meet. My husband, who had health insurance coverage, kept his. E) This may be the most fortuitous but also random fact of all: when she got sick, none of our doctors locally were able to diagnose her. We went from one to another for over a year. Finally, as the result of several other events, I called my step-father, a neuromuscular disease expert who lives in another state. We travelled to see him and after a few tests, he and his colleagues were able to diagnose her. So began our long journey of treatments, education and understanding of this rare disease.

While JM is life changing, it is not the only important thing in her life. And whether she considers herself “lucky” to have us as parents, is for her to decide. If she is like most kids, she has positive and negative thoughts about us. She has other issues to contend with besides her illness; adoption is one of them, the challenge of growing up Latina in a dominantly Caucasian household is another, and then just plain “growing up.”

I often turn the tables on this idea of good fortune and think how lucky I have been to have her in my life. Loving her has opened my heart in a way it wasn’t open before. I acknowledge my own vulnerability; my greatest love is walking around in the world with my heart attached to her and I can’t control what happens to her. I am pretty sure this is true of parenting any child.

I would never wish this disease on anyone or any family, but in the process of learning about, and dealing with it, I have grown both spiritually and intellectually. I have learned what is really important to me, and health and quality of life are at the top of that list. I don’t sweat the small stuff, what her grades are or the fact that we don’t get to do as many physically challenging, outdoor activities as we used to before we adopted her. But as she’s gotten healthier we have been able to do more.

I have become more flexible. Quitting my last job as the sole proprietor of my own landscape design business to care for her, opened up the opportunity for me to take my writing to another level. For years writing was one of my outlets for creativity. When she got sick I wrote to relieve my stress; writing about my experience allowed me to find some “order” in a life that was suddenly turned upside down with her diagnosis. I have since gone back to graduate school to get an MFA in Creative Writing. Even before that, I had started writing/support groups for parents who also have children living with chronic illnesses. As my child became an adolescent I started writing groups for teens living with chronic illness and will continue this work and offering reflective writing courses/workshops for healthcare professionals as well. I love the fact that I can return, in some sense, to an earlier career, that of mental health counselor with the added benefit of incorporating a creative outlet in my work.

So when people say how lucky my child is, I think, well maybe, but she does have to live with this, as yet, incurable disease, so what’s lucky about that? And I think, how lucky we are to be able to help her. I am not a big believer in fate or God, but I am a believer in making the most of what is given to us in this life, things we choose and things we don’t choose. I hope, like the first part of the Serenity prayer by Reinhold Niebuhr says, I am learning what I can change and what I can’t change.

 

God grant me the serenity

to accept the things I cannot change;

courage to change the things I can;

and wisdom to know the difference..

Filed Under: essays

August 8, 2015 By Suzanne

Mexico state of mind (mine)

Statue in Mexico City, Parque Alameda Central
Statue in Mexico City, Parque Alameda Central

I’ve been back in the US over a week now from Mexico City and Oaxaca. This is not a travel update but a mental status update. Time. Time is different. When in Mexico I felt my impatience and had to remind myself to breathe a lot, counseling that I live in a “too fast” world.  What am I missing, I wonder to myself that I need to hurry so?  Of course, the answer is, not much. It’s become the American default state to be in a hurry, to be constantly busy.

Crushed up against strangers on a train, standing cheek to chest for 45 minutes, was also a lesson. I was on vacation, most of the other people on board that train were on their way home from work. They do it daily. When at last a seat opened up, an elderly woman sat down immediately, before I could beckon to my complaining teenager to sit there. Of course the woman should get it. I hope someday I’ll be that woman, allowed to sit, but for now, I’m healthy, relatively young and don’t need it. She smiled, gratefully.

One afternoon, walking along busy, busted up sidewalks in Oaxaca I saw a man lying in the path. He had one shoe off, and was asleep or in a drunken stupor. No one stopped to check on him. No one was standing nearby with a cellphone in hand seemingly talking to the police or an ambulance. I checked to see if he was breathing and then I too walked on. I wondered if they had a 911 equivalent in Oaxaca and later asked someone. I was told they do but hardly anyone knows it or uses it. The weird thing was that the police and heavily armed Federal soldiers were everywhere in town. It was a festival week with lots of tourists, mostly Mexicans, and there was about to be a major demonstration by teachers and other union supporters (numbering 30,000 the paper later said).  Yet, not one uniformed person seemed to be hovering around this passed out man.

I don’t know what more to say on this topic. I want to imagine that if he had been in the US and I’d seen him like that, I’d have called 911. The trouble is, I don’t know if there was more to his story than I could know, there was no one to ask.

I am afraid of becoming inured to suffering. That is the first step in dehumanizing someone. I know that the fast pace of life and my so-called ‘needs’ sometimes prevent me from helping people here at home and somehow, having the time in Mexico to witness, and nowhere I had to be, brought me closer to someone else’s condition.

Then again, like a doctor who witnesses pain on a daily basis, if I am not to become inured, I have to have ways to experience my feelings of helplessness and pain without becoming dysfunctional. Truthfully, this is a major reason I write. I hope my studies and work in graduate school continue to bring me closer to providing these same sorts of outlets for people in the medical world. We need caring and competent medical providers and they, because they are only human, need outlets for their emotions too..

Filed Under: essays

July 14, 2015 By Suzanne

Ekphrastic Writing and Hospital Settings

Crossing Paths--Dinh Q. Lê, 1997
Crossing Paths–Dinh Q. Lê, 1997

For many, the word ‘ekphrastic’ is hard to find in a dictionary let alone hear its usage in daily speech. Ekphrasis, a Greek word, is a form of writing about art, defined by The Oxford Classical Dictionary as “the rhetorical description of a work of art.”

Edward Hirsch, in his book, The Poet’s Glossary, goes on to say that “The prototype of all ekphrastic poetry is Homer’s description of the shield that Hephaestus is making for Achilles in the Iliad.”(p.195)

Many, many poets and writers from Homer, to W.H. Auden, to William Carlos Williams to Marianne Moore, Anne Sexton, and Ted Hughes have chosen to write about works of visual art housed in museums and galleries. There are various approaches to ekphrastic forms and many points of view, well articulated in Twentieth Century Poetry and The Visual Arts by Loizeaux. But, no one that I know of has written a treatise about viewing art in hospital settings.  This the area I have chosen to write from and about.

Anyone who has followed my writing life knows I am very interested in the intersection of art and healing, and in continuing this passion, I began an ekphrastic writing project last January at Swedish Hospital in Seattle (though their new campus in Issaquah also houses a collection), then moved on to Harborview and the University of Washington Medical Center’s art collections. All of these facilities are blessed with wide-ranging forms of visual art from paintings, to sculpture to glass, mixed media and fiber arts. Most of the artists are from the Pacific NW region though there are a few from outside it.

I spent 5 months touring these hospitals, taking pictures and writing poems and essays about various pieces of art, and my reflections on viewing art within a hospital setting. In the coming months I hope to share a few of these pieces with you.  In the meantime, here is the philosophy that the U of WA Medical Center states about art and healing:

Art is everywhere in our world and art is essential. Viewing and creating art, as well as listening to music, play an important role in mental, physical, emotional and spiritual health. A growing body of evidence indicates that the presence of artwork, artists and art experiences in the patient-­‐care environment benefits patients and their loved ones. Art provides a positive diversion, inspires hope, and contributes to an atmosphere of healing and restoration. In the hospital setting, art addresses the health of the human body and spirit, reminding us of the human connections, life experiences and memories that can support and comfort us as we confront illness.

I encourage you to find your way to one of these locations (not as a patient, hopefully) and take a look for yourself. You are free to wander the halls and clinic waiting rooms where you will find an abundance of pieces. If people ask if they can help you (which is a common question) tell them you are there to view the art. The more they hear this, the better for the life of the collections..

Filed Under: Art & Writing Tagged With: Ekphrasis, healing, Hospital Art

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