Events & Workshops

I thought I’d send out some enticing pieces from my planned readings for the course, The Words to Say It: Writing About Illness, Trauma and Healing.  Sometimes just a list of possible readings doesn’t fully bring you into the experience.

Here is a poem by Alicia Ostriker from her series “The Mastectomy Poems”, from The Crack in Everything. What I like about it is how she starts right in with her thinking, that is a universal thought. She includes the details of the body, (cells, estrogen, breast), images of women in daily life, and then how this particular diagnosis heightens (figuratively and literally) her perceptions of her everyday world.

The second piece is an excerpt from Gregory Orr’s, The Blessing. He’s a poet and essayist and his memoir is about how he dealt with accidentally killing his brother when they were both kids. In this excerpt, he’s describing trying to talk to his mother about the accident. I find his language to be both personal and the details telling (the cake with fourteen candles, his mother not touching him). I think it’s heartbreaking, see what you think.

If you think someone would be interested in taking this class, please pass this on to them. Here is the link for registering at Hugo House.

Wishing everyone a great fall of writing.

Suzanne

The Crack in Everything

“The Mastectomy Poems:”

1. THE BRIDGE

You never think it will happen to you,
What happens every day to other women.
Then as you sit paging a magazine,
Its beauties lying idly in your lap,
Waiting to be routinely waved goodbye
Until next year, the mammogram technician
Says Sorry, we need to do this again,

And you have already become a statistic,
Citizen of a country where the air,
Water, your estrogen, have just saluted
Their target cells, planted their Judas kiss
Inside the Jerusalem of the breast.
Here on the film what looks like specks of dust
Is calcium deposits.
Go put your clothes on in a shabby booth
Whose curtain reaches halfway to the floor.
Try saying fear. Now feel
Your tongue as it cleaves to the roof of your mouth.

Technicalities over, medical articles read,
Decisions made, the Buick’s wheels
Nose across Jersey toward the hospital
As if on monorail. Elizabeth
Exhales her poisons, Newark Airport spreads
Her wings–the planes take off over the marsh–
A husband’s hand plays with a ring.

Some snowflakes whip across the lanes of cars
Slowed for the tollbooth, and two smoky gulls
Veer by the steel parabolas.
Given a choice of tunnel or bridge
Into Manhattan, the granite crust
On its black platter of rivers, we prefer
Elevation to depth, vista to crawling.